Work the set.

WHAT WE CREW

The disciplines we hire for.

These are the roles that make up a SCANable crew. We keep applications on file for all of them and reach out when a show or a base needs the seat filled — production hiring rarely lines up with when someone happens to be looking.

• 01

  Scan Technician

  [ ON SET / TRAVEL ]

  Run the array. Deploy the studio, calibrate it, capture talent and props between setups, and keep the data clean under a shooting schedule that will not wait for you.

• 02

  Data Wrangler

  [ ON SET / IN HOUSE ]

  Own the chain of custody from card to archive. Verify coverage before the truck moves, and make sure nothing that was captured is ever in doubt later.

• 03

  Photogrammetry Artist

  [ IN HOUSE ]

  Solve, clean, and reconstruct. Turn hundreds of synchronized frames into geometry that holds up at hero distance in a finished shot.

• 04

  3D Modeler / Texture Artist

  [ IN HOUSE ]

  Retopology, UVs, displacement, and look-dev. Build render-ready assets that drop into a vendor pipeline without a round of notes.

• 05

  LiDAR / Survey Technician

  [ ON SET / TRAVEL ]

  Terrestrial scanning of sets, locations, and vehicles. Register the data, keep it to survey tolerance, and deliver something a VFX team can measure against.

• 06

  Pipeline / Tools Engineer

  [ IN HOUSE ]

  Keep hundreds of gigabytes a day moving. Automate the boring half of capture processing so the crew spends its time on the parts that need judgment.

HOW IT WORKS

Applying.

Send a reel or a portfolio, a résumé, the base you would work out of, and whether you can travel. If you have shot on set before, tell us what the days looked like — that matters more here than software lists.

Applications go to production@scanable.com with Careers in the subject line. A real person reads them.

We work out of six U.S. bases — Los Angeles, Las Vegas, New York, New Jersey, Atlanta, and Houston — and crew travels with the studios from all of them.