TECH
TECHNOLOGY / OUR SYSTEMS
We built the arrays.
Two camera-array lines we designed and built ourselves — one that scans a person perfectly in a single instant, one that records a performance over time, from every direction — and a fleet of each, so a multi-unit show can shoot two coasts on the same week. Away from the arrays we use the right instrument for the job: LiDAR for sets and environments, structured light for props, drones for locations — all from the leaders in those fields, run through our workflow. All of it travels. None of it asks your production to come to us.
THE FLEET / OWNED + OPERATED
Not one rig. A fleet of them.
Multiple Mobile CyberSCAN™ Studios and modular C.A.L.V.I.N.N.™ arrays, every one of them built, owned, and crewed by us. The capture crews are ours and the rigs are never rented in, so parallel units get the same array, the same method, and the same data on both ends of a schedule.
- MOBILE STUDIOS
- FLEET — 150+ CAM EACH
- MODULAR ARRAYS
- C.A.L.V.I.N.N.™ 4K UNITS
- CONCURRENT UNITS
- MULTI-CITY, SAME WEEK
- U.S. BASES
- LA · LV · NY · NJ · ATL · HOU
- OWNERSHIP
- ARRAYS BUILT + CREWED IN HOUSE
- TRAVEL DAYS FOR CAST
- NONE — WE COME TO YOU
SYSTEM LINE 01 / STATIC PHOTOGRAMMETRY / OLAT
Mobile CyberSCAN™ Studios
Our core system, and we run a fleet of them. Each studio is a complete 150+ camera scanning stage that arrives at your location — cross-polarized RAW, three-point beauty, and eight-direction OLAT passes, and capture-ready about fifteen minutes after we park.
- Every camera fires in a single instant, so there is no hold, no drift, and no asking a performer to freeze.
- Roughly sixty seconds with the actor. A cyberscan fits between setups instead of taking a day out of the schedule.
- Because there is more than one studio, second unit in another city is a scheduling question, not a queue.
- This is the system behind our digital doubles, and the reason talent never has to travel to a facility.
[ 150+ CAM / SINGLE-INSTANT FIRE / ~60s WITH TALENT ]
SRC / MOBILE CYBERSCAN STUDIO / ARRAY INTERIOR
SYSTEM LINE 02 / LIGHTFIELD / VOLUMETRIC / NEURAL
C.A.L.V.I.N.N.™
Camera Array for Lightfields, Volumetrics, Imaging, and Neural Networks — a separate modular system line we engineered because nothing off the shelf did what our pipelines needed. 150+ cameras of 4K video per unit, dedicated to machine-learning capture.
- Captures how a subject looks and moves from every angle at once, instead of freezing a single pose.
- Feeds 4D Gaussian splatting, radiance-field reconstruction, and the machine-learning pipelines VFX vendors now build on.
- Modular by design — units deploy alongside the scan studios, never inside them, and scale to the volume a shot needs.
[ 150+ CAM 4K / LIGHTFIELD + VOLUMETRIC / NEURAL-READY ]
SRC / C.A.L.V.I.N.N. / TALENT IN THE ARRAY
WHY THEY ARE SEPARATE LINES
Different jobs, different rigs.
It is worth being precise, because the two get conflated. A scan studio freezes a pose in perfect detail — that is what a digital double is built from. C.A.L.V.I.N.N. captures a subject across time and viewing angle — that is what volumetric playback and neural reconstruction are trained on.
Trying to do both with one rig means compromising both. So we build and deploy them as separate lines, run a fleet of each, and scope a job around whichever one the shot actually needs — or send both, when it needs both.
SINCE 2017
We were shooting holograms before they were splats.
We built our first genlocked 4D array in 2017 for HBO’s Watchmen, and its capture drove the show’s hologram effects. Reconstruction has been reinvented twice since — radiance fields, then 4D Gaussian splatting — and the thing that has to happen on the day has not changed at all.
START HERE
Tell us where you’re shooting.
Give us the schedule and the pipeline it feeds. We’ll bring the right system to it.